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At the French Open, Serena Williams wore a custom-made black catsuit. On Aug. 24, the president of the French Tennis Federation said the outfit “wouldn’t be back.” It “went too far,” he continued. It didn’t “respect the game and the place.” Among Williams’ defenders, the pushback was swift – the decision indicative of how female athletes face more scrutiny and are held to outdated dress standards.

A song by pop megastar Taylor Swift has brought new attention to Clara Bow, a major Hollywood film siren in the 1920s who famously left Tinsel Town for Southern Nevada to start a new life with with her cowboy actor husband, Rex Bell.

There are few items of clothing as iconic – or as purely American – as the classic varsity jacket. Yet, lately, it has been making a comeback, thanks in part to Italian powerhouse Prada, who featured a chic all-leather take on it at Milan fashion week in February. It has also been a central piece in much-hyped recent collaborations between Gap and Palace, and Supreme and MM6 Maison Margiela. Not even the digital space is safe: Louis Vuitton has been selling a “phygital” – AKA an NFT (non-fungible token) – version of a varsity jacket from the Pharrell-designed FW24 collection – yours to have and not hold for nearly £7,000.

Originally the preserve of Ivy League sportsmen, the jacket has seen incarnations from the likes of Salt-N-Pepa, Palace and Prada. And now Louis Vuitton’s NFT version is going for £7,000

One track on Taylor Swift’s new album, “The Tortured Poets Department,” honors a long-celebrated, oft-miscast heroine of American feminism: actress Clara Bow. As historians of the 1920s, we’ve studied Bow’s fame and her cultural legacy. At her ranch in rural Nevada, we oversee a collection of her personal artifacts, including her clothing and a makeup case.

In a town typically light on fashion and heavy on partisan friction, what one high-profile figure wore to a swanky White House affair has ignited a ferocious debate seemingly just as polarizing as politics in Washington.

One track on Taylor Swift’s new album, “The Tortured Poets Department,” honors a long-celebrated, oft-miscast heroine of American feminism: actress Clara Bow. As historians of the 1920s, we’ve studied Bow’s fame and her cultural legacy. At her ranch in rural Nevada, we oversee a collection of her personal artifacts, including her clothing and a makeup case.

One track on Taylor Swift’s new album, “The Tortured Poets Department,” honors a long-celebrated, oft-miscast heroine of American feminism: actress Clara Bow. As historians of the 1920s, we’ve studied Bow’s fame and her cultural legacy. At her ranch in rural Nevada, we oversee a collection of her personal artifacts, including her clothing and a makeup case.